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A deep dive into scenes, record labels and genres from around the world.
The British Library’s relationship with WOMAD (World of Music, Arts and Dance) is nearly as long as the festival's existence, with a small team from the sound archive attending the festival to record and archive performances since 1985. The concentration of so many diverse and talented musicians in one place allows us to document musical styles from around the world right here on our doorstep. And, after 40 years, we now hold around 2,500 hours of music recorded at WOMAD, backed up digitally for preservation and access. With WOMAD taking a year off in 2025, we thought it would be a good opportunity to revisit some of the recordings we made last Summer. There were too many fantastic performances to choose from, so this is just a small selection of staff highlights, including some debut appearances and memorable moments. All recordings made by the British Library WOMAD 2024 team: Michele Banal, Greg Green, Karl Jenkins, Grace Johnstone, Finlay McIntosh and Gail Tasker. Selection and mix by Finlay McIntosh. Thanks to all the artists for agreeing to have their recordings shared on NTS.
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Born on Christmas Day 1932 in Merseburg Germany, he started playing rather than just listening to jazz whilst he was studying Mathematics and Physics at Darmstadt University. By 1956 he was a sufficiently proficient saxophonist to win first place at an amateur jazz festival. By 1960 he was invited to join fellow Frankfurter, trombonist Albert Mangelsdorf f in his band. This had a profound effect on Sauer. He toured widely with the band in Europe and immersed himself in the free European jazz of the time. In 1974 he formed his own band, Voices, with Bob Degen, Ralf Hübner, Günter Lenz and Günter Kronberg . In 1979 he made his first recording for ECM as part of tenor sax player George Adam's band on his album Sound Suggestions in the company of Jack DeJohnette, Kenny Wheeler and Richie Beirach. Sauer always remained based in Germany and for many years played in various combinations, duo with Bob Degan, and trio with bassist Stephan Schmolck, quartet and with the famous NDR Big Band. When his long term duo partner, pianist and friend Bob Degan left Germany to return to the his native USA in 1999, Sauer met up and started performing with a young music student, pianist Michael Wollny. The grand elder and infant terrible of the German jazz scene released their first album - Melancholia in 2005 to great critical acclaim. They followed this up with Certain Beauty a year later. This saw jazz standards alongside contemporary pop and jazz tunes all subjected to the dissection and analysis of these two master improvisers. The fourth album by Sauer and Wollny - "Don't explain" preserves a live performance by the duo at Darmstadt where it all started and is being release to coincide with Sauer's 80th. birthday. Many happy returns.
Born on Christmas Day 1932 in Merseburg Germany, he started playing rather than just listening to jazz whilst he was studying Mathematics and Physics at Darmstadt University. By 1956 he was a sufficiently proficient saxophonist to win first place at an amateur jazz festival. By 1960 he was invited to join fellow Frankfurter, trombonist Albert Mangelsdorf f in his band. This had a profound effect on Sauer. He toured widely with the band in Europe and immersed himself in the free European jazz of the time. In 1974 he formed his own band, Voices, with Bob Degen, Ralf Hübner, Günter Lenz and Günter Kronberg . In 1979 he made his first recording for ECM as part of tenor sax player George Adam's band on his album Sound Suggestions in the company of Jack DeJohnette, Kenny Wheeler and Richie Beirach. Sauer always remained based in Germany and for many years played in various combinations, duo with Bob Degan, and trio with bassist Stephan Schmolck, quartet and with the famous NDR Big Band. When his long term duo partner, pianist and friend Bob Degan left Germany to return to the his native USA in 1999, Sauer met up and started performing with a young music student, pianist Michael Wollny. The grand elder and infant terrible of the German jazz scene released their first album - Melancholia in 2005 to great critical acclaim. They followed this up with Certain Beauty a year later. This saw jazz standards alongside contemporary pop and jazz tunes all subjected to the dissection and analysis of these two master improvisers. The fourth album by Sauer and Wollny - "Don't explain" preserves a live performance by the duo at Darmstadt where it all started and is being release to coincide with Sauer's 80th. birthday. Many happy returns.
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