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Sketchbook was the LA beat night started by Kutmah back in 2004 and was the breeding ground for artists like Daedelus, Ras G, Dibiase, Georgia Anne Muldrow, Teebs and Flying Lotus. Now it's radio reincarnation is on this side of the Atlantic. Lock in.
Midwife’s multi-instrumentalist and recording engineer Madeline Johnston presents “Machines of Loving Grace,” a monthly transmission featuring her new finds and old favorites with a focus on the golden age of DIY community, cosmic sentimentalism, world music, and experimental pop. “Machines of Loving Grace” is a gateway into Johnston’s process and personal soundtrack. Inspired by the Richard Brautigan poem, Midwife’s curated playlists explore the idea of “a cybernetic ecology;” acoustic and electronic sources reflect on our humanity as well as our animalistic nature in the context of a digital landscape.
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A Punk quartet from Chesham formed in 1978 by Robert Boughton (gtr/v), Gordon Watson (gtr/v), Tim Heal (b) and Paul Morris (d/v), The Beez recorded the tracks "Easy" and "The Vagrant" in December 1978 at Luton’s Quest Studios with Dave Cook producing. A single emerged at the end of January ’79 on the band-owned indie label Edible Records, housed in a multi-fold cardboard cover featuring dozens of little live photos. The 7”, pressed in an edition of 1,000 copies, couples two melodic Punk cuts that were completely ignored by the music press at the time, but are now rated among the brightest forgotten gems of late ’70s UK PunkRock. A recommended platter.
A Punk quartet from Chesham formed in 1978 by Robert Boughton (gtr/v), Gordon Watson (gtr/v), Tim Heal (b) and Paul Morris (d/v), The Beez recorded the tracks "Easy" and "The Vagrant" in December 1978 at Luton’s Quest Studios with Dave Cook producing. A single emerged at the end of January ’79 on the band-owned indie label Edible Records, housed in a multi-fold cardboard cover featuring dozens of little live photos. The 7”, pressed in an edition of 1,000 copies, couples two melodic Punk cuts that were completely ignored by the music press at the time, but are now rated among the brightest forgotten gems of late ’70s UK PunkRock. A recommended platter.
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