My NTS
Live now
1
London
10:00 - 12:00

Let NTS brighten up your lunchtime hours.

2
Rome
11:00 - 13:00

Broken club, dubbed out sounds, experimental electronics and atonal drifts: Gio’s monthly broadcasts are high contrast assemblages that move at a slow pace.

Shackleton

Shackleton hosted a guest show on 28 August 2024. Shackleton has been played on NTS over 250 times, featured on 243 episodes and was first played on 12 January 2012.

Co-ran the Skull Disco label from 2005 to 2008 with Appleblim. Shackleton's take on the sparse template of minimal techno, originally showing heavy influence from Muslimgauze, evolved over the course of the label's lifespan to a sound that resembled something closer to a skeletal, emaciated take on the drop structure and sepulchral sound design of dubstep. By the time of his last release on Skull Disco - the label's last as well, the aptly titled Soundboy's Suicide Note - his work was practically consuming itself. As described in a Resident Advisor review, "Shackleton's loopy drum programming and ink-stained bass…are pushed to psychedelic extremes. Rather than seeking a way out for his music, he found new ways to burrow deeper."

Since minting his Woe to the Septic Heart! imprint in 2010, Shackleton's output has become considerably more colourful, going through a resurrection of sorts. This is especially evident in his massive Music for the Quiet Hour / The Drawbar Organ triple LP, in which he infuses bright organ tones into his longstanding brand of mystical minimal techno, replete with incessant polyrhythms, cavernous sound design, and vocal manipulation reminiscent of the early phasing experiments of Steve Reich.

www.skulldisco.com Woe to the Septic Heart - Discogs

read more

Shackleton

Shackleton hosted a guest show on 28 August 2024. Shackleton has been played on NTS over 250 times, featured on 243 episodes and was first played on 12 January 2012.

Co-ran the Skull Disco label from 2005 to 2008 with Appleblim. Shackleton's take on the sparse template of minimal techno, originally showing heavy influence from Muslimgauze, evolved over the course of the label's lifespan to a sound that resembled something closer to a skeletal, emaciated take on the drop structure and sepulchral sound design of dubstep. By the time of his last release on Skull Disco - the label's last as well, the aptly titled Soundboy's Suicide Note - his work was practically consuming itself. As described in a Resident Advisor review, "Shackleton's loopy drum programming and ink-stained bass…are pushed to psychedelic extremes. Rather than seeking a way out for his music, he found new ways to burrow deeper."

Since minting his Woe to the Septic Heart! imprint in 2010, Shackleton's output has become considerably more colourful, going through a resurrection of sorts. This is especially evident in his massive Music for the Quiet Hour / The Drawbar Organ triple LP, in which he infuses bright organ tones into his longstanding brand of mystical minimal techno, replete with incessant polyrhythms, cavernous sound design, and vocal manipulation reminiscent of the early phasing experiments of Steve Reich.

www.skulldisco.com Woe to the Septic Heart - Discogs

Original source: Last.fm

Recent episodes

Most played tracks

Blood On My Hands
Shackleton
Skull Disco2006
Death Is Not Final
Shackleton feat. Vengeance Tenfold
Skull Disco2008
Hamas Rule
Shackleton
Skull Disco2006
In Norwegen Ganz Verwegen
Shackleton
Woe To The Septic Heart!2015
Untitled
Shackleton
DDS2015
Blood On My Hands (Ricardo Villalobos Apocalypso Now Mix Part 1)
Shackleton
Skull Disco2007
Five Demiurgic Options
Shackleton, Vengeance Tenfold
Honest Jon's Records2017
Hypno Angel
Shackleton
Skull Disco2006
Tin Foil Sky
Shackleton
Skull Disco2006
Boracay Drift (Morphosis Remix)
Pinch, Shackleton (Morphosis mix)
Honest Jon's Records2011

Tracks featured on