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London Perfect Lives shopkeepers Bruno and Danny share an hour of discoveries each month, Dipping into charming private press releases, cozy dub & dancehall, way out of left-field synth pop & postpunk, among other surprises..
Prestonian singer songwriter Rainy Miller presents the progress check, a bi-monthly show playing an hour of archived experiments and influences.
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born in 1976 in Ath. In the mid 90's his main interest was focused on collage, using various processes to corrode and disintegrate fragments of paper, already verging towards the limits of perception and meaning. In the next decade, shifting his focus to music, he started recording and experimenting with sound fragments, field recordings and crude, mostly second-hand or broken instruments, as well as free softwares. From 2008 on, he ran the music label ini.itu, also designing the sleeves of most vinyls. In the winter of 2013 he launched the E42.A8 sessions, based on improvisation in a remote area in the countryside. About the same period, starting to develop his own MIDI sequencer, and out of the need of visualising transformations brought by algorithms, he was paradoxically led again to the visual arts, augmented by the know-how of now being able to develop his own homemade graphic softwares. His main interests now lie in the themes both visual and auditory of processual transformations, (un)readability, interactions between form and meaning, alterations of alphabets, textes and scores ( so, this is including braille and MIDI files ! ).
born in 1976 in Ath. In the mid 90's his main interest was focused on collage, using various processes to corrode and disintegrate fragments of paper, already verging towards the limits of perception and meaning. In the next decade, shifting his focus to music, he started recording and experimenting with sound fragments, field recordings and crude, mostly second-hand or broken instruments, as well as free softwares. From 2008 on, he ran the music label ini.itu, also designing the sleeves of most vinyls. In the winter of 2013 he launched the E42.A8 sessions, based on improvisation in a remote area in the countryside. About the same period, starting to develop his own MIDI sequencer, and out of the need of visualising transformations brought by algorithms, he was paradoxically led again to the visual arts, augmented by the know-how of now being able to develop his own homemade graphic softwares. His main interests now lie in the themes both visual and auditory of processual transformations, (un)readability, interactions between form and meaning, alterations of alphabets, textes and scores ( so, this is including braille and MIDI files ! ).
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