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The man behind the various Emotional labels jumps in the NTS cockpit for a chance to show off his expansive taste.
Red Laser Records crew brings Manchester's own blend of Manctalo, Disco & Boogie. A high energy Sunday Buzz guaranteed.
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Leo Acosta (Leobardo Acosta Quintanar) born in Huetamo, Michoacán, on July 7, 1925 in Mexico, was a drummer, composer, arranger and usually extremely pissed off during studio sessions when his comrades-in-arms made a mistake. Leo, as his friends affectionately called him, was an exceptional musician not only because of his artistic virtues, but also because of his social commitment that led him to confront the union leaderships that afflict musicians and composers; Due to this attitude he was persecuted and harassed socially and economically, without being able to bend his libertarian spirit by the dictators and their coriphees who always saw in him an insurmountable obstacle to their mandate of oppression and injustice. On the morning of 2 September 2007, he died at his home in Ciudad de México, leaving a difficult gap to fill in the jazz world. His participation in the beginnings of national rock and in innumerable films –musicalizing and acting– leave a legacy that belongs fortunately to Mexican art. On this funeral date we say: goodbye, Leo, may the gods of music welcome you into their bosom this day of mourning for Mexican jazz.
Leo Acosta (Leobardo Acosta Quintanar) born in Huetamo, Michoacán, on July 7, 1925 in Mexico, was a drummer, composer, arranger and usually extremely pissed off during studio sessions when his comrades-in-arms made a mistake. Leo, as his friends affectionately called him, was an exceptional musician not only because of his artistic virtues, but also because of his social commitment that led him to confront the union leaderships that afflict musicians and composers; Due to this attitude he was persecuted and harassed socially and economically, without being able to bend his libertarian spirit by the dictators and their coriphees who always saw in him an insurmountable obstacle to their mandate of oppression and injustice. On the morning of 2 September 2007, he died at his home in Ciudad de México, leaving a difficult gap to fill in the jazz world. His participation in the beginnings of national rock and in innumerable films –musicalizing and acting– leave a legacy that belongs fortunately to Mexican art. On this funeral date we say: goodbye, Leo, may the gods of music welcome you into their bosom this day of mourning for Mexican jazz.
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