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Cherrystones - musician, international DJ, soundtrack composer, compiler and multi-genre music fiend - within his longstanding NTS shows Cherrystones showcases his inspirations, his passions and his listening habits as a sonic moodboard pooled from his revered archive encompassing the past, present and future sounds to soothe and challenge in equal measure. Photography Credit: Meghan Desmond
Liquid Mirror is the aural exploration of all intersections of ethereality with musician and artist Olive Kimoto. Interpreted eclectically, the monthly broadcast ranges from shoegaze and dream pop, to electronic and experimental.
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After training at the opera school of the Paris Opéra, the tenor Jean-Luc Viala further developed his abilities in Italy with Arrigo Polla. In France he was taught by Michel Sénéchal. In 1985 he joined the Basle Opera, where he spent a year. In 1986 he sang the role of the narrator in L'Enfance du Christ with the Berlin Philharmonic Orchestra under Yehudi Menuhin and in 1988 made his début at Glyndeboume in Richard Strauss's Capriccio, appearing as Bénédict at the Théâtre des Champs-Elysées in the same year. Engagements followed at the Opéra of Lyon, the Festival of Aix-en-Provence, La Fenice in Venice, the Paris Théâtre du Châtelet, Rome Opera and elsewhere in major opera-houses throughout Europe. He made his New York Metropolitan Opera debut as Tonio in La Fille du régiment and continues a flourishing career, undertaking major roles with leading companies in collaboration with conductors of the greatest distinction.
After training at the opera school of the Paris Opéra, the tenor Jean-Luc Viala further developed his abilities in Italy with Arrigo Polla. In France he was taught by Michel Sénéchal. In 1985 he joined the Basle Opera, where he spent a year. In 1986 he sang the role of the narrator in L'Enfance du Christ with the Berlin Philharmonic Orchestra under Yehudi Menuhin and in 1988 made his début at Glyndeboume in Richard Strauss's Capriccio, appearing as Bénédict at the Théâtre des Champs-Elysées in the same year. Engagements followed at the Opéra of Lyon, the Festival of Aix-en-Provence, La Fenice in Venice, the Paris Théâtre du Châtelet, Rome Opera and elsewhere in major opera-houses throughout Europe. He made his New York Metropolitan Opera debut as Tonio in La Fille du régiment and continues a flourishing career, undertaking major roles with leading companies in collaboration with conductors of the greatest distinction.
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