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The signal is strong, send to all. Widegaze, post-beat, freneticisms and hoover – Body Motion plugs in sideways to decode one layer of cogent reality at a time. Parallel paradigms, monthly on NTS1
An hour a month from LA label Total Stasis, responsible for releases by Ramzi, Aquarian Foundation, Anom Vitruv, Elysia Crampton, Bobo Eyes & Plush Throw, CS + Kreme, Fmvee, Second Language, Regularfantasy, Private Lesson, Alexi Baris, Laila Sakini, and Sebastiano Carghini.
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Afghan rebâb virtuoso Ustad Mohammad Omar, who was born sometime in the early 20th century, came to the United States in 1974 to Seattle’s University of Washington as an artist-in residence in the ethnomusicology department. On 18 November 1974, he gave his only U.S. concert, at the university’s Meany Hall. He was accompanied by 24-year-old Zakir Hussain, a budding Indian tabla player. Hussain went on to become a world-renowned tabla virtuoso. Ustad Mohammad Omar returned to Afghanistan after his year in Seattle and died in 1980.
Afghan rebâb virtuoso Ustad Mohammad Omar, who was born sometime in the early 20th century, came to the United States in 1974 to Seattle’s University of Washington as an artist-in residence in the ethnomusicology department. On 18 November 1974, he gave his only U.S. concert, at the university’s Meany Hall. He was accompanied by 24-year-old Zakir Hussain, a budding Indian tabla player. Hussain went on to become a world-renowned tabla virtuoso. Ustad Mohammad Omar returned to Afghanistan after his year in Seattle and died in 1980.
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