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In 1979, Jürgen Müller, a self-taught amateur musician studying oceanic science at the University of Kiel, travelled with a film crew to document a mission testing sea-water toxicity a few kilometres offshore in the North Sea. As ever, necessity was the mother of invention, and the experience proved so memorable that he was impelled to create a soundtrack to the footage and his own recollections using some electronic equipment borrowed from friends and a local school.
Armed with nothing but a faint…
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