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Regular techno, electro, and house missives from the Against Interpretation labelhead and powerhouse-club selector Courtesy…
Irish avant-pop composer Maria Somerville gifts us a special hour long show entitled "The Invisible World", inspired by the words of poet John O'Donohue, featuring music from her Irish musical predecessors, as well as The Durutti Column, Suzanne Kraft, & John Maus. The mix is inspired by an interview I heard with irish poet John O’ Donohue, he talks of growing up in the west coast of Ireland, theories on the passage of time and a “lifelong fascination with the inner landscape of our lives” and with what he called "the invisible world". “The Irish poet, theologian, and philosopher insisted on beauty as a human calling. He had a very Celtic, lifelong fascination with the inner landscape of our lives and with what he called "the invisible world" that is constantly intertwining what we can know and see. This was one of the last interviews he gave before his unexpected death in 2008. But John O'Donohue's voice and writings continue to bring ancient mystical wisdom to modern confusions and longings.” “He devoted himself full-time to meditating and writing on beauty, friendship, and how the visible and the invisible, the material and the spiritual, intertwine in human experience."
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Contact Field Orchestra is American sound programmer Damon Aaron.
In 2008, Aaron came across a box of 7" tapes labeled “Contact Field Orchestra” at an estate sale in Altadena, California. They turned out to be a collection of field recordings that seem to date from sometime around the turn of the 20th century (possibly earlier). The woman there said that they had belonged to her father and were “field recordings” of a turn-of-the century orchestra of ex-San Gabriel-miners turned musicians. Apparently having given-up after the gold boom, these folks stayed in what would later become Upper Mallard Canyon in Altadena — living in the old Dawn’s mine shaft, and crafting their own instruments from discarded mining equipment and whatever small guitars and banjos they had brought with them. This became the source material for a re-edited and dubbed-out mixtape version for HIT+RUN, and the full-length, "Contact Field Orchestra Vol. 1".
http://contactfieldorchestra.com/
Contact Field Orchestra is American sound programmer Damon Aaron.
In 2008, Aaron came across a box of 7" tapes labeled “Contact Field Orchestra” at an estate sale in Altadena, California. They turned out to be a collection of field recordings that seem to date from sometime around the turn of the 20th century (possibly earlier). The woman there said that they had belonged to her father and were “field recordings” of a turn-of-the century orchestra of ex-San Gabriel-miners turned musicians. Apparently having given-up after the gold boom, these folks stayed in what would later become Upper Mallard Canyon in Altadena — living in the old Dawn’s mine shaft, and crafting their own instruments from discarded mining equipment and whatever small guitars and banjos they had brought with them. This became the source material for a re-edited and dubbed-out mixtape version for HIT+RUN, and the full-length, "Contact Field Orchestra Vol. 1".
http://contactfieldorchestra.com/
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