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“I start associating your voice with ….”, for a while ML has been part of the NTS community, jingling around, airing his monthly 150 Session out of Berlin’s North, where all seasons give reasons. For clarification, creation, inspiration. One hour of poetic and musical explorations, questions, and curiosities. Circling around daring electronics, ethno-sonics, jazz-constructivism, minimalism, open structured digital dopamine, risky dub excitement and other sounds, that still need to be written. No country, no flag – outernational without a cause!
Manchester DJ Sameed plays a selection of tracks sampled by various hip hop artists.
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remor from Buenos Aires, Argentina combines rhythms and sound across genre borders, fitting component parts of varying tradition together in eloquent symmetry. The artist breaks sound barriers across South America and presents their digital folklore tracks to a new, global audience.
Tremor researches folklore traditions by region and bridges generations, geography and genre to produce his signature style. Their sound is equal parts electronic music and native drum and owes as much to anthropology as it does to popular music.
The other two members in Tremor are just as equally sage in their interpretation of local musicology. Camillo Carbajal comes from a family of esteemed Argentine folklore musicians. His role is to keep the legacy alive and he is doing it in modern fashion, by peeling away the layers of time and bringing the bombo leguero to the 21st century with Tremor. In an age of presets and virtual sounds, Gerardo is a master of the analog craft of synth music. As a musician in demand, he often plays with 5 different bands in a typical month in Buenos Aires.
remor from Buenos Aires, Argentina combines rhythms and sound across genre borders, fitting component parts of varying tradition together in eloquent symmetry. The artist breaks sound barriers across South America and presents their digital folklore tracks to a new, global audience.
Tremor researches folklore traditions by region and bridges generations, geography and genre to produce his signature style. Their sound is equal parts electronic music and native drum and owes as much to anthropology as it does to popular music.
The other two members in Tremor are just as equally sage in their interpretation of local musicology. Camillo Carbajal comes from a family of esteemed Argentine folklore musicians. His role is to keep the legacy alive and he is doing it in modern fashion, by peeling away the layers of time and bringing the bombo leguero to the 21st century with Tremor. In an age of presets and virtual sounds, Gerardo is a master of the analog craft of synth music. As a musician in demand, he often plays with 5 different bands in a typical month in Buenos Aires.
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