Bron Area has been played over 10 times on NTS, first on 28 March 2017. Bron Area's music has been featured on 16 episodes.

Bron Area started life as a duo in March 1979, emerging from an embryo of musicians in Nuneaton, United Kingdom. Martin Packwood and Steven Parker had been involved in a number of these before meeting a wider and more competent group of musicians. Notably among these was Peter Becker who supported and encouraged them in the early stages of Bron Area. With the reorganization of The Reluctant Stereotypes, resulting in the departure of Martyn Bates and Chris Dunne (later to drum on all later Bron Area records) the former arrived at a Bron gig to be introduced to Peter and thus Eyeless In Gaza came into being. Ambivalent Scale Recordings was later established and saw the release of Bron Area’s One Year cassette album and Fragile Sentences EP as well as Eyeless In Gaza’s Kodak Ghosts Run Amok EP and Kevin Harrison’s On Earth 2 cassette (later released as a Cherry Red album [remixed]). As Eyeless moved on to greater glory via their deal with Cherry Red Records, the momentum of Nuneaton’s music scene diminished, Bron Area subdued their efforts somewhat until David Barker of Glass Records, having heard 2 songs from the Alternative Sounds fanzines compilation tape Facet 1 asked them to appear on his Wonderful World of Glass Vol. 1 Lp at the end of 1981. So impressed was Mr. Barker that on the strength of a recent demo tape Bron Area were signed to Glass at the beginning of 1982. The first vinyl was a 12” EP entitled Different Phrases released in March ’82 and later released as a 7” on Posh Boy Records in the USA. Now, after the best part of 1982 being spent in the recording studio Bron Area’s first album is ready. The album is The Trees and the Villages – a title which suggests the sentiments of their present music. Although not quite as described in Stringent Measures fanzine “a modern day country music … with a little organic additive” it does through different means seek to fulfill the same role as that music. Martin Packwood: “The album doesn’t take risks, but I really don’t see how any music could claim to do so. The only thing you risk in being avantgarde is that no one is going to buy the record and listen to what you have to offer. People take risks in their lives – in their decisions, their lifestyles and so on – not when they listen to a record.”