Pedro Estevan has been played on NTS in shows including Johnnie Walker Blenders' Batch, featured first on 22 November 2016. Songs played include Allegro, El Reflejo De Un Soplo and Musica Esporadica.

Pedro Estevan began to study percussion at Madrid’s Conservatory of Music, moving subsequently to Aix-en Provence to study contemporary percussion with Sylvio Gualda and African percussion with the Senegalese teacher Doudou Ndiaye Rose. He has also studied tambourine technique with Glen Velez.

A founding member of The Percussion Group of Madrid, he has worked with many important national and international musical formations such as the National Orchestra of Spain, Radio Television of Spain, Madrid Symphony Orchestra, Gulbenkian of Lisbon, Orchestra of the 18th Century directed by Frans Brüggen and with the groups: Koan, Sacqueboutiers de Toulouse, Paul Winter Consort, Camerata Iberia, Anleut Música, Ensemble La Romanesca, Accentus, Sinfonye, La Real Cámara and Ensemble Baroque de Limoges.

An eclectic musician, he feels a special commitment to early music -Hespèrion XX, Le Concert des Nations, Ensemble La Romanesca, The Harp Consort and SEMA- and to contemporary music -Rarafonâa, Grupo Círculo, Orquesta de las Nubes and PAN-KU Percusión.

As a concert soloist he has performed with the Orquesta de Cámara Nacional de España and with the Orquesta Reina Sofía, participating in highly prestigious festivals and in numerous programmes of contemporary music with sessions exclusively featuring percussion.

He has taken part in various theatre productions with Lluis Pasqual and Nuria Espert. One of his lesser known facets, that of composer, produced the scores of "Alesio" by I. Garcâa May and of "La Gran Sultana" by Cervantes, directed by Adolfo Marsillach. He has also worked as musical director for Lluis Pasqual’s production of "El Caballero de Olmedo" by Lope de Vega at the L’Odeon-Theatre de L’Europe, and he has recorded the music for the film "El milagro de P. Tinto".