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EndgamE’s Precious Metals lines up the latest in the sounds of the underbelly: drill, auto-tune serenades and dancehall. 808 snares rattle like uzis, deep synths sing out like a foghorn through the spray – both grime and hip-hop, tunes for the club and tunes for the car. Lock in. therealendgame@gmail.com
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poet and musician Leonardo Rosado has been working the collision between sound, poetry and everyday life. The construction of his music pieces expose daily life happenings that are individual and at the same time universal. Words and sounds have different meanings, depending on the listener, but only if s/he takes some time to delve into the complexity of his or her own stimuli.
Released several pieces through netlabels, notably, Opaque Glitter in 2011 on his own netlabel FeedbackLoop and also Dream On and Soaking Wet eps in 2011 on AudioGourmet and Rural Colours.
Physical albums were released in his own label Heart and Soul and Denovali Records, respectively: Mute Words a book of poetry and a music cd with collaborations with Barbara De Dominicis, Michelle Seaman and Alicia Merz; and Dear and Unfamiliar in collaboration with Alicia Merz aka Birds of Passage.
poet and musician Leonardo Rosado has been working the collision between sound, poetry and everyday life. The construction of his music pieces expose daily life happenings that are individual and at the same time universal. Words and sounds have different meanings, depending on the listener, but only if s/he takes some time to delve into the complexity of his or her own stimuli.
Released several pieces through netlabels, notably, Opaque Glitter in 2011 on his own netlabel FeedbackLoop and also Dream On and Soaking Wet eps in 2011 on AudioGourmet and Rural Colours.
Physical albums were released in his own label Heart and Soul and Denovali Records, respectively: Mute Words a book of poetry and a music cd with collaborations with Barbara De Dominicis, Michelle Seaman and Alicia Merz; and Dear and Unfamiliar in collaboration with Alicia Merz aka Birds of Passage.
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