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Crispin J Glover hates being called a ‘house producer’, a tag he earned for his past contributions to the genre. But, try as he might, the rest of us can’t ignore Glover’s past. With as many monikers as Emelda Marcos had shoes, and countless releases under his belt, it makes sense, in telling his story, to look back to the end of the 80s when he first starting making music for himself. That was when, inspired by the sounds of Derrick May’s…
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