Paul D. Miller has been played on NTS shows including Slimzos Sessions w/ Slimzee, with Object Unknown (Placebo Effect) first played on 22 May 2014.

Growing up in DC, Paul D. Miller AKA Spooky became interested in punk and go-go music, and attended Bowdoin College in Maine, earning degrees in French literature and philosophy. He began writing science fiction and formed a collective called Soundlab with several other artists. In the mid-1990s, Spooky began recording a series of singles and EPs. His debut LP, Songs of a Dead Dreamer, is now widely regarded as a formative influence on illbient. Riddim Warfare (see 1998 in music) was an underground hit that include collaborations with Kool Keith and other cult figures in indie rock. He then worked with several other artists on various collaborations and mix CDs, returning in 2002 with Modern Mantra. That same year saw the release of Optometry, a widely acclaimed collaboration with avant-jazz players Matthew Shipp, William Parker, Guillermo E. Brown and Joe McPhee. (This album also features portions of a breaks record by Billy Martin of Medeski Martin & Wood.)

DJ Spooky also composed the score for the 1998 film SLAM, featuring poet/actor Saul Williams in the lead role. The film went on to win both the Cannes Camera D'Or and the Sundance Festival Film Festival Grand Jury Prize. In 2004 DJ Spooky released a book, Rhythm Science published by MIT Press. The same year saw the launch of his film/music/multimedia performance piece "DJ Spooky's Rebirth of a Nation". A live audio/video re-mix of D. W. Griffith's The Birth of a Nation which includes footage from choreographer Bill T. Jones and a score newly composed by DJ Spooky, "Rebirth of a Nation" was commissioned by the Lincoln Center Festival, The Festival d'Automne a Paris, The Spoleto Festival USA, and the Vienna Festival. DJ Spooky continues to tour the world performing this work. 2005 saw the release of "Drums of Death", DJ Spooky's CD based on sessions he recorded with Dave Lombardo of Slayer. Other guest artists include Chuck D. of Public Enemy and Vernon Reid of Living Colour. The record was co-produced by Jack Dangers of Meat Beat Manifesto. In 2006 DJ Spooky produced two extensive compilations of classic Jamaican music from the archives of Trojan Records, the 40 year old Jamaican record label founded by Chris Blackwell and Lee Gopthal. The U.S. release, In Fine Style: DJ Spooky Presents 50,000 Volts of Trojan Records focused on "selections" from the archive, while the UK and worldwide release, Riddim Come Forward was a continuous mix. The compilation features a roster of Jamaica's most renowned artists and producers like Lee "Scratch" Perry, Bob Marley, Peter Tosh, U-Roy, King Tubby and Prince Jammy. Sound Unbound, a collection of writing about sound art, digital media, and contemporary composition with writings from Brian Eno, Jonathan Lethem, Chuck D, Steve Reich, Cory Doctorow, Saul Williams, Pierre Boulez, Mendi & Keith Obadike, Hans Ulrich Obrist, Jaron Lanier, Moby, and many others, edited by DJ Spooky, came out on MIT Press early 2008. DJ Spooky is also a professor of music mediated art at the European Graduate School where he co-teaches (with Michael Schmidt) Intensive Summer Seminars in Saas-Fee, Switzerland. DJ Spooky has said that much of his work "deals with the notion of the encoded gesture or the encrypted psychology of how music affects the whole framework of what the essence of 'humaness' [sic] is… To me at this point in the 21st century, the notion of the encoded sound is far more of a dynamic thing, especially when you have these kinds of infodispersion systems running, so I'm fascinated with the unconscious at this point." [1] DJ Spooky's work as an artist has appeared in a wide variety of contexts such as the Whitney Biennial; The Venice Biennial; the Ludwig Museum in Cologne, Germany; Kunsthalle, Vienna; The Andy Warhol Museum, Paula Cooper Gallery and many other museums and galleries. In 2007 his work appeared in the Africa Pavilion in the 52nd Venice Biennial. DJ Spooky makes an appearance in the 2008 feature documentary by Nik Sheehan about Brion Gysin and the Dreamachine entitled 'FLicKeR'. In a classical vein, he has collaborated with the ST-X Ensemble in performances of the music of Iannis Xenakis.