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Edgard Varèse

Edgard Varèse

Edgard Varèse has been played over 10 times on NTS, first on 15 June 2014. Edgard Varèse's music has been featured on 12 episodes.

Edgard Victor Achille Charles Varèse (French: [ɛdɡaːʁ viktɔːʁ aʃil ʃaʁl vaʁɛːz]; also spelled Edgar Varèse; December 22, 1883 – November 6, 1965) was a French-born composer who spent the greater part of his career in the United States.

Varèse's music emphasizes timbre and rhythm and he coined the term "organized sound" in reference to his own musical aesthetic. Varèse's conception of music reflected his vision of "sound as living matter" and of "musical space as open rather than bounded". He conceived the elements of his music in terms of "sound-masses", likening their organization to the natural phenomenon of crystallization. Varèse thought that "to stubbornly conditioned ears, anything new in music has always been called noise", and he posed the question, "what is music but organized noises?"

Although his complete surviving works only last about three hours, he has been recognised as an influence by several major composers of the late 20th century. Varèse saw potential in using electronic media for sound production, and his use of new instruments and electronic resources led to his being known as the "Father of Electronic Music" while Henry Miller described him as "The stratospheric Colossus of Sound".

Varèse actively promoted performances of works by other 20th-century composers and founded the International Composers’ Guild in 1921 and the Pan-American Association of Composers in 1926.

The Electronic House duo Varese from Argentina redirects to here as well

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Edgard Varèse

Edgard Varèse has been played over 10 times on NTS, first on 15 June 2014. Edgard Varèse's music has been featured on 12 episodes.

Edgard Victor Achille Charles Varèse (French: [ɛdɡaːʁ viktɔːʁ aʃil ʃaʁl vaʁɛːz]; also spelled Edgar Varèse; December 22, 1883 – November 6, 1965) was a French-born composer who spent the greater part of his career in the United States.

Varèse's music emphasizes timbre and rhythm and he coined the term "organized sound" in reference to his own musical aesthetic. Varèse's conception of music reflected his vision of "sound as living matter" and of "musical space as open rather than bounded". He conceived the elements of his music in terms of "sound-masses", likening their organization to the natural phenomenon of crystallization. Varèse thought that "to stubbornly conditioned ears, anything new in music has always been called noise", and he posed the question, "what is music but organized noises?"

Although his complete surviving works only last about three hours, he has been recognised as an influence by several major composers of the late 20th century. Varèse saw potential in using electronic media for sound production, and his use of new instruments and electronic resources led to his being known as the "Father of Electronic Music" while Henry Miller described him as "The stratospheric Colossus of Sound".

Varèse actively promoted performances of works by other 20th-century composers and founded the International Composers’ Guild in 1921 and the Pan-American Association of Composers in 1926.

The Electronic House duo Varese from Argentina redirects to here as well

Original source Last.fm

Tracks featured on

Most played tracks

Poème Electronique
Varese, Robert Craft, Columbia Symphony Orchestra
CBS1971
Poème Électronique
Edgar Varèse
Columbia Masterworks1960
Nocturnal
Edgar Varèse, Orchestre National De France, Bryn-Julson, Isherwood, Pierlot, Kent Nagano
Erato1996
Suite Op. 29
Varèse, Schönberg, Pierre Boulez
Vega1960
Ionisation
Edgard Varèse, Juilliard Percussion Orchestra
Other Sounds2011
Deserts
Varese
La Voix De Son Maître0
Kantate Nr. 1, Op. 29
Boulez, Webern, Carter, Varèse, Berio, Ensemble Intercontemporain, New York Philharmonic, London Symphony Orchestra
Sony Classical, Sony Music2009
Deserts
Edgar Varèse
Les Industries Musicales Et Electriques Pathé Marconi0
Symphony No.3 In C Minor, Op.44
Prokofiev, Varèse, Mosolov, Riccardo Chailly, Royal Concertgebouw Orchestra
Decca2018