Minus Kendal trods the outer reaches foraging for aural morsels, slinging you a monthly smorgasbord of sultry sonix from trenchcoat folk to silicone synthwave.
There's an old Brian Eno quote that is inevitably referenced when talking about the Velvet Underground - something along the lines of "They only sold 30,000 copies of their first album, but everyone who bought the album started a band". It's slightly inaccurate (they sold a lot more copies), but the message is clear: few bands have had such an outsized, potent, and wide reaching effect on the musicians that followed in their footsteps.
Their stubborn desire to continually approach songwriting from the left field, and continuous sonic reinvention reverberated for decades, influencing punk, post-punk, art rock, ambient music, even notably influencing real political revolution in Czechoslovakia.
Two hours of The Velvets' best, selected and mixed by Claire Rousay.
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Cumbia Moderna De Soledad
Cumbia Moderna De Soledad
Cumbia Moderna De Soledad has been played on NTS in shows including La Cosecha Internacional w/ XOLO, featured first on 15 March 2019. Songs played include ¿Crees Que Soy Sexy? and Llevaras Mi Marca.
Pedro “Ramayá” Beltrán, born in Patico, a small town in Colombia’s Bolívar province, is a maestro of Colombian folkloric music known as the King of the ‘caña de millo’ flute, although he is also proficient in various percussion instruments as well as the reed instrument known as ‘gaita’.
He founded La Cumbia Moderna de Soledad in the early 1970s. With this group he set out to “modernize” the folkloric music of his people, adding electric bass and a brass section to fresh arrangements of cumbias, porros, fandangos, puyas and other costeño genres.
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Cumbia Moderna De Soledad
Cumbia Moderna De Soledad has been played on NTS in shows including La Cosecha Internacional w/ XOLO, featured first on 15 March 2019. Songs played include ¿Crees Que Soy Sexy? and Llevaras Mi Marca.
Pedro “Ramayá” Beltrán, born in Patico, a small town in Colombia’s Bolívar province, is a maestro of Colombian folkloric music known as the King of the ‘caña de millo’ flute, although he is also proficient in various percussion instruments as well as the reed instrument known as ‘gaita’.
He founded La Cumbia Moderna de Soledad in the early 1970s. With this group he set out to “modernize” the folkloric music of his people, adding electric bass and a brass section to fresh arrangements of cumbias, porros, fandangos, puyas and other costeño genres.