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Two hours of saccharine synth-heavy '80s pop from France and Belgium.
"Tears in the Club" presents a unique blend of structured and chaotic music, combining intense hip hop, drum and bass, footwork, jersey club, and sometimes Afro rhythms. This multi-genre musical show explores diverse musical landscapes, creating a striking contrast between genres, while also showcasing new artists.
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Chances are, if you've come across the music of Bob Hadley, it will be by way of Celtic Reverie, the track included in the seminal first volume of Tompkins Square's Imaginational Anthems series. However, between 1973 and 1980, Bob released three Takoma-influenced albums of finger style guitar, augmented with some nifty bottleneck: Raven, Tunes from the Well and On the Trail of the Questing Beast, all on Stefan Grossman's Kicking Mule label. The albums constituted a body of work any self-respecting acoustic guitarist would be proud of, with melodic original compositions sitting seamlessly side by side with traditional tunes and the occasional carefully chosen cover. Contemporary reviews bear this out: Guitar Magazine of London called him "a genius of melody, extolling the virtues of his haunting sound". Meanwhile, Guitar Player described him as "a fingerpicking talent on a par with anyone recording today".
Chances are, if you've come across the music of Bob Hadley, it will be by way of Celtic Reverie, the track included in the seminal first volume of Tompkins Square's Imaginational Anthems series. However, between 1973 and 1980, Bob released three Takoma-influenced albums of finger style guitar, augmented with some nifty bottleneck: Raven, Tunes from the Well and On the Trail of the Questing Beast, all on Stefan Grossman's Kicking Mule label. The albums constituted a body of work any self-respecting acoustic guitarist would be proud of, with melodic original compositions sitting seamlessly side by side with traditional tunes and the occasional carefully chosen cover. Contemporary reviews bear this out: Guitar Magazine of London called him "a genius of melody, extolling the virtues of his haunting sound". Meanwhile, Guitar Player described him as "a fingerpicking talent on a par with anyone recording today".
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