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In Iceland, Thomas Stankiewicz contemplates the constant flux of the elements. A composer & musician in his own right, he selectively weaves in between soundtracks, classical music, and evocative ambient sounds, symphonically unveiling untold stories from past and future… @tommmasi
There's an old Brian Eno quote that is inevitably referenced when talking about the Velvet Underground - something along the lines of "They only sold 30,000 copies of their first album, but everyone who bought the album started a band". It's slightly inaccurate (they sold a lot more copies), but the message is clear: few bands have had such an outsized, potent, and wide reaching effect on the musicians that followed in their footsteps. Their stubborn desire to continually approach songwriting from the left field, and continuous sonic reinvention reverberated for decades, influencing punk, post-punk, art rock, ambient music, even notably influencing real political revolution in Czechoslovakia. Two hours of The Velvets' best, selected and mixed by Claire Rousay.
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Seth Nehil is a visual, performance, and sound artist. He started to work with sound around 1990 using found objects and instruments, old records, reel-to-reel machines, discarded magnetic tape, and other detritus. Nehil centers his sound constructions upon the topographical contour of an immense plain, what he refers to as "a balanced field." He also worked with N D magazine from 1995-2000 as a writer and artistic contributor, and is currently the editor of FO(A)RM magazine. He continues collaborations with John Grzinich, Olivia Block and Michael Northam in sound, performance, and organization.
Seth Nehil is a visual, performance, and sound artist. He started to work with sound around 1990 using found objects and instruments, old records, reel-to-reel machines, discarded magnetic tape, and other detritus. Nehil centers his sound constructions upon the topographical contour of an immense plain, what he refers to as "a balanced field." He also worked with N D magazine from 1995-2000 as a writer and artistic contributor, and is currently the editor of FO(A)RM magazine. He continues collaborations with John Grzinich, Olivia Block and Michael Northam in sound, performance, and organization.
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