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London-based DJ and producer Nabihah Iqbal (formerly known as Throwing Shade) brings you an ethnomusicological perspective on weird and wonderful music from around the world. Expect regular themed special episode; a good dose of history, and above all, good music to broaden your horizons. Every other Tuesday, midday-1pm. You can listen back to previous Throwing Shade episodes here
British four piece Seefeel emerged at a time when rock music had begun to stagnate, with grunge’s intense energy starting to fade. Fusing textured, heavily treated guitar tones with electronic sequencers & drum machines, the group forged an inventive new path that casts a quiet influence on artists to this day. Australian DJ Moopie explores the band’s lush, inventive discography with this two hour In Focus.
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Det Neodpressionistiske Danseorkester (also known as D.N.D.) was a new wave group from Århus, Denmark. Their eclectic guitar- and drum-less sound was mainly inspired by minimalist rock like Talking Heads and the Neue Deutsche Welle music of the time, but incorporated/parodied a wide range of musical genres, such as industrial, pop, funk, ska and heavy metal.
Lyrically, the band combined modern alienation and angst with comical snippets of everyday language - in a bewildering mix of Danish, English and German.
Det Neodepressionistiske Danseorkester was renowned for their highly visual stage shows, incorporating elaborate set and light design along with various performances, always focused around the unique expression of performer Gorm Neergaard.
D.N.D. grew from a number of performance events led by visual artist Helge Dürrfeld, who ultimately became the lead singer as the group turned into a "proper" band.
The core of D.N.D. were Helge Dürrfeld (lead vocals), Asger Neumann (backing vocals, drum machine), Anita Krings (backing vocals), Johannes Grønager (saxophone), Kim Bonfils (keyboards) as well as the performance artist Gorm Neergaard. The band changed bass players frequently - the first one, Peter Sejr left the band the evening before the recording of their first album was to start.
Det Neodepressionistiske Danseorkester recorded three albums. The first one, Flere Sange om Sex og Arbejde (1986), contained their greatest hit, Det Ka' Vi Da Godt Prøv', the title of which has remained a catchphrase in their home country.
During the recording of the third album, Romantik-tak, internal tensions led to Kim Bonfils leaving the band. And after a few gigs with a replacement keyboardist, the band broke up in 1990.
Helge Dürrfeld formed a new version of the band called DND2000 (without any other of the former members). They released an album of new tracks and reworking of older ones in the year 2000.
Det Neodpressionistiske Danseorkester (also known as D.N.D.) was a new wave group from Århus, Denmark. Their eclectic guitar- and drum-less sound was mainly inspired by minimalist rock like Talking Heads and the Neue Deutsche Welle music of the time, but incorporated/parodied a wide range of musical genres, such as industrial, pop, funk, ska and heavy metal.
Lyrically, the band combined modern alienation and angst with comical snippets of everyday language - in a bewildering mix of Danish, English and German.
Det Neodepressionistiske Danseorkester was renowned for their highly visual stage shows, incorporating elaborate set and light design along with various performances, always focused around the unique expression of performer Gorm Neergaard.
D.N.D. grew from a number of performance events led by visual artist Helge Dürrfeld, who ultimately became the lead singer as the group turned into a "proper" band.
The core of D.N.D. were Helge Dürrfeld (lead vocals), Asger Neumann (backing vocals, drum machine), Anita Krings (backing vocals), Johannes Grønager (saxophone), Kim Bonfils (keyboards) as well as the performance artist Gorm Neergaard. The band changed bass players frequently - the first one, Peter Sejr left the band the evening before the recording of their first album was to start.
Det Neodepressionistiske Danseorkester recorded three albums. The first one, Flere Sange om Sex og Arbejde (1986), contained their greatest hit, Det Ka' Vi Da Godt Prøv', the title of which has remained a catchphrase in their home country.
During the recording of the third album, Romantik-tak, internal tensions led to Kim Bonfils leaving the band. And after a few gigs with a replacement keyboardist, the band broke up in 1990.
Helge Dürrfeld formed a new version of the band called DND2000 (without any other of the former members). They released an album of new tracks and reworking of older ones in the year 2000.
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