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The New York Times, in a glowing review of his Magical Circles, called Carman Moore a composer who not only defies categories, but “treats them with disdain.” The reviewer continued,“Mr. Moore has a lot of music in his head, the product of his upbringing in black culture, his classical training and his voracious curiosity, and in his multi-media extravaganzas he finds some distinctly odd and wonderful places for it.” A Village Voice critic, reviewing another concert of Moore’s music, wrote “If all…
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