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Writer, historian and DJ Bill Brewster showcasing two hours of love, laughter, and music.
Dreamt up in November 1987 by Matt Haynes and Clare Wadd, Sarah Records became an outlet for uniquely pretty guitar pop inspired by independent labels likes Postcard and Creation. Wadd and Hayne's loving outpour of releases was relatively short but beautifully sweet, introducing the world to the music of The Sea Urchins, The Field Mice and countless others until its so-called "destruction" in 1995. Often overlooked and frequently attacked by the contemporary UK music press, then a breeding ground for pointless macho posturing and self-congratulatory critical hit pieces, the Sarah Records discography has aged spectacularly well. The same can't be said for many of the baggy bands & grunge identikit acts that were the critical darlings of the era. This In Focus is a two hour meander through the timeless, sunny pop music of Sarah Records.
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Skeleton (or wifiskeleton) is an American recording artist, producer, and guitarist who talks on subjects such as love, heartbreak, depression, suicide, murder and more morbid topics alongside his collective, gothangelz. He uses imagery of ‘90s – early 2010s cartoons, clip art of emojis, and 3D skeleton pngs in his artwork. He mainly releases his music on SoundCloud, uploading some songs to streaming platforms.
Ripping forth like a dagger from the flesh of Austin, Texas comes the self-titled debut LP from the lone star state’s new wreckers of civilization Skeleton. Having plied their black market trade for several years in grime infested underground dungeons and sub-basements, 20 Buck Spin was called forth to issue Skeleton’s first LP, a cataclysmic expansion of the band’s unhallowed vision venturing well beyond its earlier borders.
Though some might be prone to lazily apply simplistic genre tags to Skeleton’s style, the reality is far more sweeping as the debut LP immediately reveals an excessively sharp metallic-charged juggernaut of severe force and high plains mayhem. War-like hymns for the soldiers of a scorched apocalypse to come, from which a bleak alternate future will emerge.
The 11 tracks comprising ‘Skeleton’ signal the black dawn of a new breed, and when the final somber strains of ‘Catacombs’ close out the album, an eerie sense of the end as the beginning lingers like a morbid premonition…
Skeleton is a d-beat band from Winnipeg, Manitoba, Canada. The lineup features members from Archagathus, Violent Gorge, Loutish, etc.Skeleton (or wifiskeleton) is an American recording artist, producer, and guitarist who talks on subjects such as love, heartbreak, depression, suicide, murder and more morbid topics alongside his collective, gothangelz. He uses imagery of ‘90s – early 2010s cartoons, clip art of emojis, and 3D skeleton pngs in his artwork. He mainly releases his music on SoundCloud, uploading some songs to streaming platforms.
Ripping forth like a dagger from the flesh of Austin, Texas comes the self-titled debut LP from the lone star state’s new wreckers of civilization Skeleton. Having plied their black market trade for several years in grime infested underground dungeons and sub-basements, 20 Buck Spin was called forth to issue Skeleton’s first LP, a cataclysmic expansion of the band’s unhallowed vision venturing well beyond its earlier borders.
Though some might be prone to lazily apply simplistic genre tags to Skeleton’s style, the reality is far more sweeping as the debut LP immediately reveals an excessively sharp metallic-charged juggernaut of severe force and high plains mayhem. War-like hymns for the soldiers of a scorched apocalypse to come, from which a bleak alternate future will emerge.
The 11 tracks comprising ‘Skeleton’ signal the black dawn of a new breed, and when the final somber strains of ‘Catacombs’ close out the album, an eerie sense of the end as the beginning lingers like a morbid premonition…
Skeleton is a d-beat band from Winnipeg, Manitoba, Canada. The lineup features members from Archagathus, Violent Gorge, Loutish, etc.Thanks!
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