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1
Paris
04:00 - 05:00

During 'Wave Form', Aurélien Arbet and Pierre Rousseau explore an interpolation of various recordings, often at the margins of traditional formats and conventional styles of music. During an hour, a long oscillation is formed out of a selection of interviews, spoken word, poetry, music for dance or art, marginal pop attempts and various field recordings. Aurélien Arbet is an art director, co-founder of the clothing brand and publishing house Études. Pierre Rousseau is a composer, producer and sound designer, crafting sounds for records, films, and art projects. Photo @ Marcelo Gomes

2
Paris
04:00 - 05:00

"Tears in the Club" presents a unique blend of structured and chaotic music, combining intense hip hop, drum and bass, footwork, jersey club, and sometimes Afro rhythms. This multi-genre musical show explores diverse musical landscapes, creating a striking contrast between genres, while also showcasing new artists.

Lee Morgan

Lee Morgan

Lee Morgan has been played on NTS over 40 times, featured on 45 episodes and was first played on 20 December 2013.

Lee Morgan (10 July 1938 - 19 February 1972) was an American hard-bop jazz trumpeter.

Born in Philadelphia, Pennsylvania, Morgan was a jazz prodigy, joining the Dizzy Gillespie big band at 18, remaining a member for two years. In 1956 he began recording as a leader, mainly for the Blue Note label; eventually he recorded twenty-five albums for the company. Morgan's principal influence as a player was Clifford Brown, having had direct contact with him before Brown's premature death.

He was also a featured sideman on several early Hank Mobley records, and John Coltrane's Blue Train. Joining Art Blakey's Jazz Messengers in 1958 further developed his talent as a soloist and writer. He toured with Blakey for a few years, and was featured on Moanin, which is probably Blakey's best known recording. When Benny Golson left the Jazz Messengers, Morgan persuaded Blakey to hire Wayne Shorter, a young tenor saxophonist, to fill the chair. This classic version of the Jazz Messengers, including Bobby Timmons and Jymie Merritt would record the classic The Freedom Rider album.

Morgan tried to move in to the more advanced areas of the music in the early 1960s. He left the Jazz Messengers in 1961, struggling with heroin addiction, managing to kick his habit in his hometown. He returned to the music scene after a two-year absence, playing on Grachan Moncur III's essentially avant-garde Evolution album (his favourite work), and experimenting on some of his own recordings such as the title track of Search for the New Land (1964), but the popularity of his famous album, The Sidewinder, featuring Joe Henderson precluded his career developing in this way.

The title track of that record cracked the pop charts in 1964 and served as the background theme for Chrysler commercials during the World Series. The Sidewinder's crossover success in a rapidly changing pop music market caused Blue Note to rush the track's "Boogaloo" sound to market. This is evidenced in the mid-60s output of many Blue Note stars, including Morgan, and some of the lesser artists in the stable, releasing albums with modified and rythmically punchy blues tracks, such as "Yes I Can, No You Can't" on Morgan's own The Gigolo. In 1964 Morgan rejoined the Jazz Messengers, after his successor Freddie Hubbard departed, which had now become a sextet with the addition of Curtis Fuller to the group.

Alongside this commercial success, Morgan continued to record prolifically, producing such works as Search For the New Land which reached the top 20 of the R&B charts. His work became increasingly more modal and free towards the end of the sixties. He had begun to lead his own group, featuring Bernie Maupin as a multi-reedist.

Lee Morgan was murdered by his common-law wife, Helen More, with whom he was breaking up, following an argument between sets at Slug's, a popular New York City jazz club.

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Lee Morgan

Lee Morgan has been played on NTS over 40 times, featured on 45 episodes and was first played on 20 December 2013.

Lee Morgan (10 July 1938 - 19 February 1972) was an American hard-bop jazz trumpeter.

Born in Philadelphia, Pennsylvania, Morgan was a jazz prodigy, joining the Dizzy Gillespie big band at 18, remaining a member for two years. In 1956 he began recording as a leader, mainly for the Blue Note label; eventually he recorded twenty-five albums for the company. Morgan's principal influence as a player was Clifford Brown, having had direct contact with him before Brown's premature death.

He was also a featured sideman on several early Hank Mobley records, and John Coltrane's Blue Train. Joining Art Blakey's Jazz Messengers in 1958 further developed his talent as a soloist and writer. He toured with Blakey for a few years, and was featured on Moanin, which is probably Blakey's best known recording. When Benny Golson left the Jazz Messengers, Morgan persuaded Blakey to hire Wayne Shorter, a young tenor saxophonist, to fill the chair. This classic version of the Jazz Messengers, including Bobby Timmons and Jymie Merritt would record the classic The Freedom Rider album.

Morgan tried to move in to the more advanced areas of the music in the early 1960s. He left the Jazz Messengers in 1961, struggling with heroin addiction, managing to kick his habit in his hometown. He returned to the music scene after a two-year absence, playing on Grachan Moncur III's essentially avant-garde Evolution album (his favourite work), and experimenting on some of his own recordings such as the title track of Search for the New Land (1964), but the popularity of his famous album, The Sidewinder, featuring Joe Henderson precluded his career developing in this way.

The title track of that record cracked the pop charts in 1964 and served as the background theme for Chrysler commercials during the World Series. The Sidewinder's crossover success in a rapidly changing pop music market caused Blue Note to rush the track's "Boogaloo" sound to market. This is evidenced in the mid-60s output of many Blue Note stars, including Morgan, and some of the lesser artists in the stable, releasing albums with modified and rythmically punchy blues tracks, such as "Yes I Can, No You Can't" on Morgan's own The Gigolo. In 1964 Morgan rejoined the Jazz Messengers, after his successor Freddie Hubbard departed, which had now become a sextet with the addition of Curtis Fuller to the group.

Alongside this commercial success, Morgan continued to record prolifically, producing such works as Search For the New Land which reached the top 20 of the R&B charts. His work became increasingly more modal and free towards the end of the sixties. He had begun to lead his own group, featuring Bernie Maupin as a multi-reedist.

Lee Morgan was murdered by his common-law wife, Helen More, with whom he was breaking up, following an argument between sets at Slug's, a popular New York City jazz club.

Original source: Last.fm

Tracks featured on

Most played tracks

Song For My Father
Lee Morgan, Horace Silver
Blue Note1985
Search For The New Land
Lee Morgan
Blue Note1964
Song For My Father
Lee Morgan, Horace Silver
Blue Note1988
Eclipso
Lee Morgan
Blue Note1965
Afreaka
Lee Morgan
Blue Note1969
Absolutions
Lee Morgan
Blue Note1971
You Go To My Head
Lee Morgan
Blue Note1968
Inner Passions Out
Lee Morgan
Blue Note1972
The Sidewinder
Lee Morgan
Blue Note1964
Gary's Notebook
Lee Morgan
Blue Note1964