My NTS
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1
Manchester
22:00 - 00:00

Experimental ambience, dub, techno, and other crazy left shxt from Joshua Reid & Joshua Inyang, a.k.a Space Afrika… Please, enjoy.

2
Los Angeles
22:00 - 23:00

DJ / Producer Morse Code brings us a monthly all vinyl mix of jazz-funk, jazz fusion, and rare groove in the tradition of his Fusion Batches mixes from the mid 00's, which championed dollar bin heat as well as the rares, all in the name of the hunt for the best grooves!

Nelcy Sedibe

Nelcy Sedibe

Nelcy Sedibe has been played on NTS in shows including Questing w/ Zakia, featured first on 26 September 2020. Songs played include Holotelani.

60s Africa found the Zulu and Sotho beginning to incorporate the influences of African American R&B, jazz, and blues into their traditional, indigenous music. New styles such as township jazz, pennywhistle street music, Kwela, and marabi were formed. Eventually, these myriad styles coalesced to create a new hybrid pop music that came to be known as mbaqanga. Though mbaqanga employs the traditional instrumentation of Western pop (guitar, bass, drums, keyboards, and vocals), the approach to song structure and rhythmic, melodic, and harmonic phrasing is uniquely African.

Recorded between 1981 and 1984, THE INDESTRUCTIBLE BEAT OF SOWETO is the first (and arguably the best) of a slew of South African pop recordings that soon followed. Characterized by insistent, rhythmically complex beats, elastic, burbling basslines, tight, ska-sounding guitar accompaniment, and thick, multi-part vocals, this music is as intriguing as it is appealing. Groups with such names as Udokotela Shange Namajaha and Amaswazi Emvelo serve up bright, infectious melodies and percussively insistent tracks that are clearly intended for dancing. Though this "pop" may at first seem strange to Western ears, repeated listens reveal its true nature: rich, individual, joyous, and simply wonderful music.

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Nelcy Sedibe

Nelcy Sedibe has been played on NTS in shows including Questing w/ Zakia, featured first on 26 September 2020. Songs played include Holotelani.

60s Africa found the Zulu and Sotho beginning to incorporate the influences of African American R&B, jazz, and blues into their traditional, indigenous music. New styles such as township jazz, pennywhistle street music, Kwela, and marabi were formed. Eventually, these myriad styles coalesced to create a new hybrid pop music that came to be known as mbaqanga. Though mbaqanga employs the traditional instrumentation of Western pop (guitar, bass, drums, keyboards, and vocals), the approach to song structure and rhythmic, melodic, and harmonic phrasing is uniquely African.

Recorded between 1981 and 1984, THE INDESTRUCTIBLE BEAT OF SOWETO is the first (and arguably the best) of a slew of South African pop recordings that soon followed. Characterized by insistent, rhythmically complex beats, elastic, burbling basslines, tight, ska-sounding guitar accompaniment, and thick, multi-part vocals, this music is as intriguing as it is appealing. Groups with such names as Udokotela Shange Namajaha and Amaswazi Emvelo serve up bright, infectious melodies and percussively insistent tracks that are clearly intended for dancing. Though this "pop" may at first seem strange to Western ears, repeated listens reveal its true nature: rich, individual, joyous, and simply wonderful music.

Original source Last.fm

Tracks featured on

Most played tracks

Holotelani
Nelcy Sedibe
Shanachie1985