New Zealand guitarist Roy Montgomery's music was once described by NPR journalist Lars Gotrich as "swimming through phantoms" – it may sound like an overwrought analogy at first, but simply spend half an hour enveloped in Montgomery's tones, and you'll understand.
Originally a part of Pin Group in the 1980s, releasing Joy Division-indebted post-punk on the revered Wellington label Flying Nun records, Montgomery eventually unmoored himself from the strictures of verse-chorus-verse songwriting, and other musicians entirely, composing drifting, gauzy guitar instrumentals that channeled his own personal grief and loneliness into a seductively baleful magic.
Self proclaimed “Underground and Black”, Detroit native Ash Lauryn leads her musical charge with a candid love for the historical roots of dance music, and the power of reclamation in modern day America.
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A “Shakshouka” show with an undeniable sense of sadness and sorrow in light of the situation in Gaza that we’re all witnessing powerless and hopeless.
North African melancholic sounds to create a space for reflection and mourning for the innocent lives being lost and to offer a glimmer of healing, strength and hope for future brighter days in Palestine.
A “Shakshouka” show with an undeniable sense of sadness and sorrow in light of the situation in Gaza that we’re all witnessing powerless and hopeless.
North African melancholic sounds to create a space for reflection and mourning for the innocent lives being lost and to offer a glimmer of healing, strength and hope for future brighter days in Palestine.