After years of underwhelming dance floors and sadness at the disinheritance of blackness from techno and house music especially on the LA scene, we’ve begun a social experiment, coalition, cloud formation; entitled “rave reparations”. The initiative aims to help build relationships between local black DJs, specifically queer / femme / bipoc and house/techno promoters who are largely not of these communities. We also call on support from these lesser marginalized bodies in conscripting venues and fiscal support for parties thrown by the aforementioned groups.
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An hour of recordings from one of the finest jazz vibraphone players ever to hold the mallets. Raised in Philadelphia, Khan Jamal began playing vibes (and later marimba) as a teenager in the 1960s. By the end of the decade and into the 1970s, Khan would become a notable figure in the more exploratory fringes of the jazz scene, playing with drummer and free jazz pioneer Sunny Murray, and playing a role in Sun Ra's Arkestra.
Jamal would be one of the first artists to bridge the oftentimes disparate attitudes of free jazz and jazz fusion, creating work that straddled both.
Photo: Jan Persson
An hour of recordings from one of the finest jazz vibraphone players ever to hold the mallets. Raised in Philadelphia, Khan Jamal began playing vibes (and later marimba) as a teenager in the 1960s. By the end of the decade and into the 1970s, Khan would become a notable figure in the more exploratory fringes of the jazz scene, playing with drummer and free jazz pioneer Sunny Murray, and playing a role in Sun Ra's Arkestra.
Jamal would be one of the first artists to bridge the oftentimes disparate attitudes of free jazz and jazz fusion, creating work that straddled both.
Photo: Jan Persson
Tracklist
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Khan Jamal Creative Arts EnsembleKhan Jamal Creative Arts Ensemble Breath Of Life