London based South Korean artist, Taey Iohe, transports us to a tunnel for a sonic wind, in a trans-apocalyptic ghost orbit filled with female voices. This is a personal collection of powerful Korean female sounds which she adores, using vocal, percussion, cello, and geomungo. Pairing aged and contemporary voices, Taey invites us to listen in on a sonic dialogue between different times and spaces. This sonic grit provides some queer space, where non-feminine, non-masculine efflorescences remain tantalisingly in the ears; folk in the 70s, alt-electronic, jazz, R&B, soul, ambient techno, hip-hop, geomungo virtuoso, and cello improvisations.
London based South Korean artist, Taey Iohe, transports us to a tunnel for a sonic wind, in a trans-apocalyptic ghost orbit filled with female voices. This is a personal collection of powerful Korean female sounds which she adores, using vocal, percussion, cello, and geomungo. Pairing aged and contemporary voices, Taey invites us to listen in on a sonic dialogue between different times and spaces. This sonic grit provides some queer space, where non-feminine, non-masculine efflorescences remain tantalisingly in the ears; folk in the 70s, alt-electronic, jazz, R&B, soul, ambient techno, hip-hop, geomungo virtuoso, and cello improvisations.