How haven't we done this one yet? Two hours of jazz, fusion and idiosyncratic pop from one of the 20th Century's most singular innovators, Herbie Hancock.
Ever since the beginning of his career, Herbie Hancock has been triumphantly resistant to the contemporary dogmas of jazz, continually altering musical trends as he goes. During his tenure playing in bands with Donald Byrd and Miles Davis, Hancock was a foundational figure in the birth of post-bop jazz sound. He soon moved onto fusing jazz with funk, and fearlessly experimented with early electronic instruments, synthesizers and even samplers.
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Francesco Fusaro, the man behind MFZ Records and classical music recording series 19'40'', brings a considered and varied selection of baroque, classical and contemporary music for a full two hours each month.
Francesco Fusaro, the man behind MFZ Records and classical music recording series 19'40'', brings a considered and varied selection of baroque, classical and contemporary music for a full two hours each month.
Konstantia Gourzi, Konstantia Gourzi, William YounWilliam Youn Wind Whispers, Op. 85: II. Floating Leaf
María Granillo, María Granillo, Coro De Ninos Y Jovenes De La Escuela Nacional De Musica UNAM, Coro De Ninos Y Jovenes De La Escuela Nacional De Musica UNAM, Patricia MoralesPatricia Morales 4 Canciones Para Ninos: No. 4. Caracol
Ekaterini Karamessini, Ekaterini Karamessini, Theodore Kerkezos, Theodore Kerkezos, Philharmonia Orchestra, Philharmonia Orchestra, Martyn BrabbinsMartyn Brabbins Song Of Dionysus: III. Ritual Dance-Prayer Of The Body Ectasis
Charlotte Seither, Charlotte Seither, Clemens Hund-GöschelClemens Hund-Göschel Ask Him! (2014) For Piano: Ask Him! (For Piano)
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Stacy Garrop, Stacy Garrop, CCPA Symphony Orchestra, CCPA Symphony Orchestra, Alondra De La ParraAlondra De La Parra Mythology Symphony: II. Penelope Waits
Luise Adolpha Le Beau, Luise Adolpha Le Beau, Katia Tchemberdji, Katia Tchemberdji, Berlin Chamber Symphony Ensemble, Berlin Chamber Symphony Ensemble, Jurgen BrunsJurgen Bruns Piano Concerto In D Minor, Op. 37: II. Poco Adagio