New Zealand guitarist Roy Montgomery's music was once described by NPR journalist Lars Gotrich as "swimming through phantoms" – it may sound like an overwrought analogy at first, but simply spend half an hour enveloped in Montgomery's tones, and you'll understand.
Originally a part of Pin Group in the 1980s, releasing Joy Division-indebted post-punk on the revered Wellington label Flying Nun records, Montgomery eventually unmoored himself from the strictures of verse-chorus-verse songwriting, and other musicians entirely, composing drifting, gauzy guitar instrumentals that channeled his own personal grief and loneliness into a seductively baleful magic.
Self proclaimed “Underground and Black”, Detroit native Ash Lauryn leads her musical charge with a candid love for the historical roots of dance music, and the power of reclamation in modern day America.
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Ride were formed in Oxford in 1988 by four friends rooted in
art-school aesthetics who combined 60s guitar-pop sensibilities
with avalanches of noise and driving rhythms. It was a
recalibration of indie-rock that would come to be defined as
shoegazing, music that was both experimental and pop,
powerful and fragile. Preceded by a run of three critically-
acclaimed EPs, their 1990 debut album Nowhere is regarded
as one of the greatest debuts of the ‘90s.
Ride were formed in Oxford in 1988 by four friends rooted in
art-school aesthetics who combined 60s guitar-pop sensibilities
with avalanches of noise and driving rhythms. It was a
recalibration of indie-rock that would come to be defined as
shoegazing, music that was both experimental and pop,
powerful and fragile. Preceded by a run of three critically-
acclaimed EPs, their 1990 debut album Nowhere is regarded
as one of the greatest debuts of the ‘90s.