New Zealand guitarist Roy Montgomery's music was once described by NPR journalist Lars Gotrich as "swimming through phantoms" – it may sound like an overwrought analogy at first, but simply spend half an hour enveloped in Montgomery's tones, and you'll understand.
Originally a part of Pin Group in the 1980s, releasing Joy Division-indebted post-punk on the revered Wellington label Flying Nun records, Montgomery eventually unmoored himself from the strictures of verse-chorus-verse songwriting, and other musicians entirely, composing drifting, gauzy guitar instrumentals that channeled his own personal grief and loneliness into a seductively baleful magic.
Self proclaimed “Underground and Black”, Detroit native Ash Lauryn leads her musical charge with a candid love for the historical roots of dance music, and the power of reclamation in modern day America.
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In a 2011 New York Times article, Murakami estimated that he owns 10,000 records, but was too afraid to count. Music is elemental to the atmosphere of the stories he creates, his works filled with quotations, references and inspiration from the music world; even entire novels are structured around musical pieces, as with 1Q84.
In this Guide, NTS collects just a few of Murakami's classical references found in his novels.
In a 2011 New York Times article, Murakami estimated that he owns 10,000 records, but was too afraid to count. Music is elemental to the atmosphere of the stories he creates, his works filled with quotations, references and inspiration from the music world; even entire novels are structured around musical pieces, as with 1Q84.
In this Guide, NTS collects just a few of Murakami's classical references found in his novels.