New Zealand guitarist Roy Montgomery's music was once described by NPR journalist Lars Gotrich as "swimming through phantoms" – it may sound like an overwrought analogy at first, but simply spend half an hour enveloped in Montgomery's tones, and you'll understand.
Originally a part of Pin Group in the 1980s, releasing Joy Division-indebted post-punk on the revered Wellington label Flying Nun records, Montgomery eventually unmoored himself from the strictures of verse-chorus-verse songwriting, and other musicians entirely, composing drifting, gauzy guitar instrumentals that channeled his own personal grief and loneliness into a seductively baleful magic.
Hip hop to deep soul, smouldering electronica to jazz and back again, whether released this week or 50 years ago. It's about energy, a musical conversation. The sounds loved by David Sacks and Francis Redman, played with love for you.
Hip hop to deep soul, smouldering electronica to jazz and back again, whether released this week or 50 years ago. It's about energy, a musical conversation. The sounds loved by David Sacks and Francis Redman, played with love for you.